Uses for the Humble Clothespin
What has been a household staple for generations, the mundane, yet multi-purpose ordinary clothespin has evolved from an object of long lasting, economical simplicity to many forms and hybrids.
The first of its kind, straight wooden forms made in England were identified as pegs. The craft was associated with gypsies using small split lengths of willow or ash wood. Then in 1853 the spring type clothespin was invented by David Smith of Springfield, VA.
Today, a wide variety of clothespins are available for use other than hanging sheets out to blow in the breeze. Take your choice, wood, plastic, rubber covered wire, in a variety colors or plain wood.
A bit of Americana in the City of Brotherly Love, Philadelphia, PA, there stands a skyscraper tall, colossal sculpture of a common clothespin. In a Middlesex, VT, cemetery, a 5-foot-tall grave marker is mounted respectfully erect in the design of a clothespin.
In 1998, The Smithsonian Institute hosted an exhibition titled “American Clothespin.” The curator of the exhibit witnessed a young lad turn to his father and asks “What is a clothespin?”
Albeit clothespins as such have a long and practical history, however, with the advent of the automatic electric revolution in the art and style of laundry practice, the humble adjunct to getting a grip on shirttails and socks has virtually been aced out for that purpose. Some community home owners’ associations have even banned using clotheslines in the neighborhood and every manufacturer of wooden clothespins has closed its doors.
Nonetheless, the many assets and uses of the clothespin speaks well for its diversity, a closure for the potato chip bag is just the beginning. Many craft projects, from creating dragonflies to sling shots or even building a mousetrap, incorporate the use of clothespins. Playing cards attached to the spokes of bike wheels to simulate a motor sound couldn’t be done without clothespins.
Around the house, holding a nail in place with a clothespin while swinging the hammer will prevent damaged fingers. Unable to stop a nosebleed, a clothespin will do, in a pinch. As for organizing discount coupons, take-out menus and other assorted paper keepsakes in the miscellaneous (junk) drawer, you can count on the capable clothespin to keep rank and order in the file.
Using a marking pin to label, the wooden whiz can easily identify each electrical cord in the maze under a desk or behind the TV/entertainment center. The clothespin serves at casual parties for place card holders or clip-on name tags. In the kitchen or in the library, the ever-clever clothespin makes a perfect paper clip, keeping the page open while reading or checking a recipe in the cookbook.
Pairing items together, such as mittens, socks and slippers, makes for ready access, as well as clipping elements of a child’s outfit with clothespins works for more successful self-dressing. Pins of various colors can serve to label each family member’s lunch bag in the fridge or like-kind backpacks on the hook.
On the road, a clothespin clipped to the visor is a convenient way to hold outgoing mail, a parking pass or a memo. You can be creative with color or inventive decorations on a clothespin attached to your antenna for easy locating in the parking lot.
Then there’s the almighty strength of a magnet glued to the wooden wonder. Ideas are countless, but on the fridge the can-do clothespin is reliable in holding on to kids’ collectable art work, shopping lists and important reminders. In the laundry room, why not secure one on the side of the washer to hold a single sock awaiting its match that seems to elude its mate.
According the American Heritage web page, “Low tech and old fashioned though it may be, the clothespin continues to capture the imagination and attention of hopeful inventors.” A grand total of 146 new patents for this marvel laundry mate were granted in the mid 19th century alone and 9 more in the U.S. since 1981. Recent innovations of the catchy clothespin have been named The Teardrop, The Zebra, Hurricane Grip and even a Weather-Predicting incarnation.
As styles change in the fashion industry, so also is there dimension for the genesis of the perfect (clothes) pen.
Karen Balch is a retired nurse, freelance writer and San Ramon resident.
Avenue Q: A Smash Hit
On the billboard at the Bankhead Theater in Livermore, the Tri-Valley Repertory Theatre Group presents the uproarious, adult, comical, live production of Avenue Q through Nov. 2. Indeed, reminiscent of the characters of Sesame Street, comic relief is accomplished as the cast utilizes puppets in portraying scenes dealing with diverse and controversial social issues for the 20-something age group.
Recommended for mature audiences, rated R by cabaret standards, ribald language in some scenes, although raw, is nothing most anyone, not living under a rock, hasn’t heard. Even graphic scenes with sexual content have a comical spin which drives the audience from reserved chuckles to gales of laughter and thunderous applause.
Innovative techniques of the actors’ voice distortion and high-range singing pitch give the puppets an illusion of uttering the words themselves. Naughty, and fascinating to watch, they take the audience on a moving and humorous journey into personal growth and self-esteem.
Certainly not new to the stage circuit, the theme of this satire of entering adulthood with insecurities and uncertainties, in a search for purpose in the real world, is derived from the book of the same name written by Jeff Whitty. Debuting on Broadway in New York in 2003, travel to venues from Stockholm to Paris to Israel and every corner of the world, the production has been lavished with myriad awards and recognition.
The musical numbers of this colorful, fast-paced and dynamic score, segue smoothly in the 2 act play, with a basic 1 set backdrop which offers continuity to the performance without set change interference. The unseen orchestral accompaniment was flawless, with strategic speaker placement, tempered to surround the audience. High notes won my vote from characters “Christmas Eve” and puppeteer for “Lucy the Slut”. Their voices, rich with clarity and range, convey professional quality and genuine talent.
Via Avenue Q, a fictional street in an outer borough of NYC, life, as portrayed by puppets, opens adult issues of racism, pornography, homosexuality and Schadenfreude—(I’ll give you a clue: experiencing pleasure in the misfortune of others)
Raunchy as it may be in part, the prevailing sentiment teaches the lesson of a misconception, and life isn’t as easy as we’ve been led to believe and we are not apt to be as special as we have been convinced to be as a child. Coming away with the precept that life is a learning lesson, values, rewards and commitment are learned when we put an end to bias and negative judgment, replacing the message with positive feelings that “When you help others, you can’t help helping yourself.”
Be alert when the cast overflows into the auditorium with the musical score of the Money Song, promoting funds for the imaginary Monstersori School concept devised by lead puppet Kate Monster.
Clearly, the value of laughter, the thought-provoking stimulus concerning complex social issues supports the grand finale ideal, “Life goes on—everything—both good and bad—is only for now”.
Performances are Friday and Saturday at 8:00 pm and Sunday at 2:00 pm through November 2, 2014.The Bankhead Theater is located at 2400 First St. Livermore. 925.373.6800
Karen Balch is a retired nurse, freelance writer and life-long theater lover. She writes regularly for allnewsnoblues.com.
Avenue Q Opens Saturday
Coming soon to the Bankhead Theater in Livermore is Avenue Q, a hilarious modern musical focusing on a group of outlandish and unique 20-somethings making their way in the big city. Situated somewhere between Avenues P and R, presumably in New York, is a group of human misfits and other characters who are puppets, and will remind you (at first) of Sesame Street. The similarity ends quickly as the story of Princeton, a recent college graduate with a useless degree in English, settles into life on the fringe of society.
This show was created by Robert Lopez with music and lyrics by Greg Marx and premiered on Broadway in 2003. Lopez is a bit of an overachiever as he garnered the Tony Trifecta of Best Musical, Best Score, and Best Book. He then went on to do work on The Book of Mormon and Frozen.
The general theme of Avenue Q is that children are told early on from kids’ programming and their parents that they are ‘special’ and can do anything. As they go out on their own, reality strikes a blow and they discover that they might not be any more special than anyone else. As you may be able to discern from some of the characters’ names, Lucy the Slut and Mrs. Thistletwat, this is a VERY adult show. Other humans join Princeton, including Gary Coleman (even in death, always funny) and the puppets to explore subjects like internet porn, homosexuality, puppet sex, and race relations. Princeton is played by Sean McGrory, and Coleman is Mia Sagan who has played this role to perfection before. They are joined by Scott J. DiLorenzo, Vicki Victoria, Jennifer Stark, Wendy Amador, Mario Rappa, Kevin Hammond, David Leon, Sam Leeper, Abby Peterson, Eve Tieck, and Britt Jensky to form an unbeatable cast. The musical director is Greg Zema and the choreographer is Julie Etzel.
Avenue Q is directed by John Maio, one of the really funny and innovative local directors. I have worked with him and for him on a number of occasions and can guarantee that the results will be top notch as usual. John says that the thing about this show that stands out the most for him is, “how incredibly easily the show presents complex messages that make you think.” He was surprised at how difficult it was to master the manipulation of the puppets and yet make it look easy. He goes on to say that, in the end, the audience will find, “Life is too short to judge each other. Go out and be positive. Negativity has no place in a caring society.” A great message for kids but, leave them at home because, as I warned earlier, the language and themes are a bit too intense for them. Take these samples from the song list: ‘It Sucks To Be Me, ‘Everyone’s A Little Bit Racist,’ ‘If You Were Gay,’ and ’The Internet is for Porn.’ You might want to be careful if you’re singing these ditties on the way out of the theater. These are hilarious numbers and are woven into a tapestry of messages, relationships, and surprises that promise to provide a good time.
Avenue Q will be presented by the Tri-Valley Repertory Theatre under the watchful eye of the ever-alluring producer Kathleen Breedveld.
Where: Bankhead Theater, 2400 First St. in Livermore.
When: October 18, 19, 24, 25, 26, 31 and November 1 and 2. Friday and Saturday shows are at 8 p.m.. Sundays at 2 p.m..
Cost: $39 General, $37 Seniors. $20 Juniors
Tickets: Box office hours are Tuesday through Friday from noon to 6 p.m.. Saturday from 3-6 p.m.. (925) 373-6899 or purchase on line at: www.trivalleyrep.org --BS
Bob Stratton is an actor who has appeared in many productions with TriValley Repertory Theatre. He is also an athlete who can do a mean one-handed push up.
Feminist:Stories from Women's Lib Movement Tuesday
A pivotal chapter of American history will come alive Tuesday, Oct. 14 through a free screening of the documentary film, Feminist: Stories from Women’s Liberation. The 7 p.m. presentation at the Village Theatre in Danville is a one-hour film showcasing the events of the Women’s Liberation movement during the years of 1963 – 1970.
As told by the men and women who experienced the time period personally, the film explores the significance of a second wave of the women’s liberation movement.
Released in 2013, Director Jennifer Lee began shooting interviews for the film in 2004. Her work has been shown in film festivals, on college campuses, for non-profit organizations, in middle schools and has appeared globally.
Her film has been entered as a part of the National Center for History in the Schools and won “The Best of the Fest” for a documentary at the Los Angeles Women’s International Film Festival.
Director Lee, selected feminist accounts from an era at the peak of the 20th Century women’s movement, which forged a path into “every corner of our lives. It transformed our country”, she admits.
Her rationale for making the film streamed from inconsistencies and missing memories in the information related to the women’s liberation movement. Having always considered herself a feminist and displaying talent in working in the film industry, Lee is not a novice at making meaningful documentaries on her own. As a filmmaker, writer and speaker, Jennifer Lee screens her film nationally and speaks on the women’s liberation movement and independent filmmaking, regarding this film as appropriate for adults and students from middle school through college level. Speaking engagements have taken her as far as the International Islamic University in Islamabad, Pakistan.
Her life was woven into a colorful tapestry of cultural experiences from her early years on Staten Island, New York in the 60’s and 70’s to later residing in a Quaker Meeting House in Atlanta, where the neighborhood teemed with filmmakers, actors, gay activists, political activists, feminists and a blend of the counter culture of the time. She performed in a dance theater company and volunteered at a feminist book store in her youth.
When she moved to the San Francisco area after graduation from college, Lee became a film compositor, working on many feature films of notoriety. The lure of Los Angeles and hopes of Hollywood paved the way to Warner Bros. and an extension of career experiences.
Her technique used in the filmmaking of Feminist incorporated reports and photos of many of the feminists who were vitally instrumental in making the movement happen. Lee reveals that “One woman’s story led to another.” She traveled the country and realized how far-reaching the movement’s impact, initiated by individuals, not leaders, had spread across the United States.
Not all events and names of principle feminists are well-known, however, the documentary is a defining history of the efforts of “a relatively small group of women who gave voice to the feelings of millions of women. They are a vital part of American History and they deserve to be remembered.”
Director Jennifer Lee will be present and interactive with the audience for questions and answers directly following the screening.
The Village Theatre is located at 420 Front Street in Danville. For further information contact: www.danville.ca.gov or 925.314-3400 -- KRB
Karen Balch is a retired R.N., freelance writer and regular contributor to allnewsnoblues.com.
Call for Artists for Lighthouse Store
Artistry in many forms is the theme of the day on Saturday, Oct. 18, when an art show is being hosted by Lighthouse Christian Supply in Dublin.
Local artists have been welcomed to display samplings of their talent in the newly relocated shop at 6841 Dublin Blvd, across from Dublin Civic Center Plaza. A variety of artists, photographers and potters will avail themselves of the opportunity to place their creations in a prime spot for viewing.
In business for 25 years, the family-owned and operated Lighthouse, since 1989, has established a well-known reputation as a venue for quality merchandise in the Tri-Valley. Formerly in the Target Shopping Center off Dublin Blvd, Lighthouse has a wide variety of Christian books, Bibles, reference materials, musical recordings, videos, gifts and cards.
Their coffee shop and seating area provides a restful atmosphere for taking a break and enjoying some flavored coffee and teas, along with a tasty snack. Serving the greater San Ramon and Tri- Valley area, customers rely on the convenient location as a meeting place to shop and gather with friends.
The first-time event will run from 11 a.m. through 7 p.m. on October 18th. An ample parking area is at the rear of the building at 6841 Dublin Blvd.
For more details, contact Lighthouse Christian Supply at 925.829.3698 or www.dublinlighthouse.com.-- KRB
Karen Balch is a freelance writer, retired nurse and San Ramon resident. She writes regularly for allnewsnoblues.com
Yosemite Adventures: All You Need for Fun in Park
ANNB: How long have you been a climber and an outdoor enthusiastic?
MJ: My parents took my brothers and me camping when we were young and I was involved in scouting. But I became much more enthused right out of college in 1994 when I got a job as a reporter near Yosemite, learned to climb and fell in love with the place.
ANNB: Did you really draw from 20 years of experiences for this book? How did you possibly keep track of them all?
MJ: I write notes about the climbs I do and keep a journal on backpacking trips. That provided a good start, but once I got the contract to do the book, I revisited lots of places to get the details and pictures right before the deadline. That involved hiking and skiing about 200 miles in Yosemite last year.
ANNB: What makes Yosemite so special?
MJ: Incomparable scenery, easy access and limitless opportunities for outdoorsy people who climb, hike and ski all make it special. The people there do also, definitely. I meet visitors there from all over the world and they tend to be friendly and great folks.
ANNB: There are so many special and unique places in Yosemite; how did you manage to fit them all into your book?
MJ: You force me to admit that they're not all in the book! I chose 50 favorites out of hundreds of experiences I've had there. I tried to help readers experience Yosemite in a broad way, like I have, in all seasons, with multiple activities and levels of difficulty and throughout the whole park, not just the valley. There are plenty of other adventures besides the ones I chose. I'd be very happy if people used my writing to get started exploring Yosemite and then branched off to their own discoveries.
ANNB: Your bio is very interesting. You say "Johanson writes with the sensitivity of a starving gorilla using a chainsaw to open a can of soup.” So wrote a disgruntled reader. A Tea Party leader called Matt’s commentary “hack garbage” and ESPN turned down his work as “too pro-Giants.” which points out, what some might call, failures. Why do you do that?
MJ: I guess because I thought those complaints were funny and didn't take them too seriously! Teachers and writers both need thick skin. Besides, I consider it an achievement to get the Tea Party annoyed at me.
ANNB: You teach high school journalism. Do your students ever ask for tips on writing books?
MJ: A few have but mostly we're busy producing the best newspaper we can together. For each of my books, I've asked the kids to help proofread and credited them in the acknowledgments. They definitely earned that because they caught quite a few typos and slip-ups, and I think being involved has been fun for them.
ANNB: How do you possibly manage both careers?
MJ: Well, I work way harder at the teaching! Writing is more of a hobby for me and I only do projects that I think will be fun. But when I do write something, I drive myself a little crazy to make it the best I possibly can. There are several photos in the book that took a full day of hiking each to get, and a few of them took several days of hiking or skiing.
ANNB: Where can we meet you, buy the book and have it signed?
MJ: I'm talking about the book at Castro Valley Library on May 18 from 2-3 p.m., at Lafayette Library on May 22 at 6:30 p.m., and at Pleasanton Library on July 6 from 2-3 p.m.
ANNB: You have written other books. Tell us a little bit about that.
MJ: My old friend Wylie Wong and I collaborated on the first, “Giants, Where Have You Gone?” It's a collection of “where are they now” stories about old Giants players. That paved the way for “Game of My Life: San Francisco Giants” and “Yosemite Epics.” But “Yosemite Adventures” is the book I've always wanted to do the most.
ANNB: What's up next for you?
MJ: The best bet is another guidebook of favorite Sierra Nevada outings, though I'd also like to write another baseball book if the right opportunity comes along.-- KB
Signed copies of Matt's books are available at www.mattjohanson.com